Tony Oursler

Tony Oursler's practice is deeply rooted in a conceptual framework, conjuring multimedia and immersive experiences that combine traditional art-making tools with new technologies. A pioneer of video art since the 1970s, he is renowned for his work with moving images, installation, and projection, often taking the form of "palimpsests" that layer possible futures with the recent past.

His inspirations are wide-ranging, drawing from telecommunications, narrative evolution, conspiracy theories, social media, facial recognition, and environmental concerns. Oursler's ever-evolving audio-visual practice utilizes projections, computers, video screens, sculptures, and optical devices, manifesting as large-scale installations or intimate digital effigies.

From performative, lo-fi beginnings to his high-tech environments today, Oursler maintains an enduring fascination with the overlapping worlds of popular and subcultural activities and belief systems. He is keenly aware of the viewer as a participant, creating cacophonous environments that reference a digitally assisted future while harking back to phantasmagoria and the camera obscura.