LaToya Ruby Frazier

LaToya Ruby Frazier photographs the places American policy has used and discarded — the houses, the hospitals, the towns, the bodies. Her long-form project on Braddock, Pennsylvania, where she grew up, ran for over a decade and produced *The Notion of Family*: a triple portrait of grandmother, mother, and daughter held against the slow demolition of the steel town around them.

She works in the lineage of social documentary — Lange, Frank, Lee — but updated for an era that knows photography can lie. Her pictures are deliberate and political; they argue that a town is a body, that a body is a record, and that both deserve a witness.

She teaches at Yale and is collected by MoMA, the Carnegie, the Whitney. The cameras are still on.